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Captain Marvel Brings 7th Biggest MCU Opening, Haters Suffer Humiliating Defeat

After what seems like forever since we last saw an MCU film (Ant-Man & the Wasp seems so long ago), Captain Marvel opened to much anticipation and made-up controversy to jolt the domestic box office out of its stupor, hauling in an impressive $153 million, according to BoxOfficeMojo. This number puts it as the seventh biggest opening weekend for the much acclaimed Marvel Cinematic Universe.

After all the hubbub before the film’s release, which saw incessant and nauseating attempts to troll, and those hoping to cause a rift in the MCU success continuum, it was really all for naught, as folks ran to the theater to check out the origin tale of Carol Danvers, and left generally pleased with the end result.

The Next Few Months

We realize that not everyone gets out to the theater like we do, and we know that our podcast is just not accessible for everyone. To help bridge that gap, over the next few months, we’re going to focus on reviewing and discussing older movies. Our goal has always been to appeal to the widest group we can, and in simply reviewing the latest movies in the film industry, not everyone wants to listen, and I totally get that. If there’s something happening in the world and I don’t know anything about it, I’m less likely to engage in the associated content. It makes sense, and we want to use common sense on the podcast.

August feels like the perfect time to take a break from reviewing the latest film releases; it’s kind of a slow month, and September doesn’t seem to be all that impressive either. And our schedules are getting busier (hello, new school year)! So we’re going old school on the podcast, talking about classic films that we love, and allow ourselves the chance to finally watch ones that we’ve never sat down to enjoy.

Next week we’ll be seeing, “The Meg,” a monster movie that my co-host has little to no interest in watching. So in that same arena, we felt it would be a great time to start our Old School series, and we’ll be watching and discussing the all-time classic, Steven Speilberg’s “JAWS.” YES!

We hope that you enjoy this new chapter on the podcast. Other than a few movies sprinkled here and there, we’ve never really been focused on the older stuff. What my goal for this is two-fold: to allow ourselves to not feel terrible if we can’t get out to the theater that week, and to make our content more friendly–most people will have seen these movies that we’ll be checking out.

Thanks for being a listener/reader to the podcast, and we look forward to the next few months!




5 Ways to Make Your Movie Theater Experience Awesome

I believe that the movie theater is sacred ground. It’s an institution that should be respected and held in high regard for its unbelievable ability to give us a place where we can see the latest in cinema magic. It’s a unique experience unlike anything else in our society, and it should be revered and treated with dignity!

However, respect for the theatrical experience has taken a bit of a nosedive. It’s tough to go watch a movie nowadays and leave without incident. Just recently our viewing of Hereditary was ruined by a few youngsters on their phones, screen-hoppers, etc. Not the best film for that to happen to, trust me.

But there are a few things that you and I can do to improve our overall experience, because we all want our time on this tiny blue planet to be enjoyable, and we all want our movie-watching to be the best it can be.

1 – Arrive early
I know it’s cool and hip to reserve seats now and skip the endless number of previews (seriously, 25 minutes of trailers is a BIT much!), but getting there early allows you to take in the energy and the anticipation of the film you’re about to watch. Try it if you haven’t in a while. It’s worth it. If you’re not reserving your seats, get there 15 minutes early so you can get the seat you want and you won’t have to wade through the crowd.

2 – Dress for the occasion
We like to dress for the event when we go to the movies. And when I say dress, I mean throw on whatever t-shirt goes with the film. I went out and bought a $5 Jurassic Park shirt so I could wear it to Fallen Kingdom, and it was fun, and it was neat, and it made the night all the better. Just recently we took the whole family to see The Incredibles 2, and we dawned our masks and Incredible shirts and we took pictures and just had a great time. Try it!

3 – Put your phones away
I shouldn’t even have to say this, but you know, 2018. When the trailers start, put your phones away! Seriously! Turn them off! Just turn the thing off, put it in your pocket, your bag, your cup holder, and just forget it exists for two hours. Not only will you feel better being off your phone, you’ll be more present in the film, and you’re spending too much money on a ticket to be on a device that you’re always on anyway. Let it go!

4 – Don’t be critical right away
I know the tendency is to find things to pick apart in the film, but if you just resist the urge for a few moments and instead look to what you preferred in the film, I think you’ll find the experience much more rewarding and fulfilling. Movies, like any art, shouldn’t be subjugated to our buzzword criticisms (caveat: if you’re prone to the critical side and you find actual enjoyment from this, criticize away, but just don’t do it at the expense of others’ enjoyment).

5 – Talk about it!
This doesn’t contradict rule 4. I think it’s fun to talk about movies after you’ve seen them, but without the need of trying to break everything down and rip it to shreds. If it’s a movie you genuinely love, it makes it all the easier. Riding in the van with the kids after Incredibles 2 was awesome because we got to talk about all the fun things we saw. It’s also fun to theorize a little bit and create some of your own fan-fiction.

There you go! Five simple rules to make your movie-going experience awesome! Do you have any others to add? Let us know on Twitter at @StalePopcorn or on our Facebook page! Happy movie watching!

Top 5 MCU Films Post-Infinity War

It was inevitable that Infinity War would shake up the rankings. And after such build-up, and for it to actually surpass most expectations, it’s now time to update the ole list. Here are my Top 5 MCU Films, post Infinity War.

5. Thor: Ragnarok

Hard to believe that a Thor movie could be this good, but Director Taiki Waititi deftly handles the tone of this film perfectly. It’s the Thor we didn’t know we wanted until we had it, one that was now “Earth-ized” and thus, a personality was born! While the seriousness of the film takes a major hit, it’s not at the expense of entertainment. Thor 3 is so entertaining and re-watchable, and it sets up Thor for great things in the future.

4. Avengers

The one that really started it all. It certainly has shown its age. Remember when Joss Whedon was prematurely crowned as the King of the MCU? Yeah, we were all on that train for a while. And even though it hasn’t aged well, it’s still a fantastic team-up, and I remember just how amazing the concept was to bring Thor, Hulk, Cap, and Iron Man together. Now, it almost seems commonplace that these characters are going to share the screen together. At the time, though, it was massive.

3. Captain America: The Winter Soldier

Directed by Tony and Joe Russo, Winter Soldier marked a turning point in the Universe, as it created a rift in the philosophy of Captain America’s purpose, and the fabric of all the films are affected because of this. The emergence of Bucky as the Winter Soldier, an out-of-time Steve Rogers, and the team-up between Cap, Black Widow, and Falcon, all lead to a great time, and one that is highly relevant to the events that are currently taking place within the MCU right now.

2. Captain America: Civil War

If bringing the Avengers together the first time around was significant its unique inclusion of iconic characters, Civil War took it one step further by adding even more characters such as Ant-Man, Black Panther, and Spider-Man, and gave us a battle we were all wanting to see: Iron Man vs. Captain America. Also directed by Tony and Joe Russo, they showed here that they were capable of weaving a narrative that played out so seamless on the big screen–and their incorporation of new characters without taking anything away from anyone else spoke volumes to their abilities to truly handle the magnitude of a huge film with a lot of moving parts. It’s exceptional.

1. Avengers: Infinity War

Surprise! Avengers: Infinity War is the best film that the MCU has to offer. This massive film hits all the right notes in all the right ways, and it’s absolutely stunning how well the Russo Brothers were able to direct all of these aspects without ever taking away anything substantial from anything. Not only did they welcome Thanos into the film–a character who had been hyped for years as the true villain in the MCU–but in the end, this was HIS film. He’s the ultimate protagonist here, and he has catapulted himself atop the mountain as one of the best characters in the entire catalog of films. He’s now the best villain that we’ve ever seen in these films.

Being able to give us a grand two and a half hour epic that is both satisfying and somber, while leaving us with so many questions, is simply astonishing, and what was accomplished in Infinity War is something to be commended.

In the end, it’s difficult to give a Top 5 and not include films like Black Panther or Spider-Man: Homecoming or Guardians of the Galaxy, but that really speaks to the nature of this Universe. There are just so many fantastic films, and almost all of them are worthy considerations for anyone’s best-of list.

What are your top 5 MCU films? Let us know on Twitter @StalePopcorn or on our Facebook page!

Avengers Infinity War Breaks Weekend Box Office Record

Avengers: Infinity War is a massive hit. Everyone went to see this film this weekend, and I feel like if you didn’t see it, you were one of the few, and I hope you get to check it out very soon!

Box office numbers are still coming in, but one thing we know for sure is this: the payoff film for the Marvel Cinematic Universe has indeed paid off in dividends, as it has broken the all-time record for biggest opening in film history, upending 2015’s Star Wars: The Force Awakens. Reports suggest at least a $250 million opening, and when all the dust settles, it could very well make it’s way towards $260 million, which is not only insane, but just flat-out awesome, because the film is incredible in just about every way.

Infinity War is a juggernaut of a film, and handles the breadth and depth of its characters will such intelligence and sophistication that it is hard to deny this is one of the greatest cinematic achievements in the history of film, and fans went on in absolute droves to check it out. We all want to be apart of the discussion, and the numbers don’t lie: MCU is King.

To listen to our review of Avengers: Infinity War, check out the link here: AVENGERS: INFINITY WAR REVIEW

Why I’m Rooting for Get Out at the Oscars

 

The Oscars are this Sunday, and a case can be made for just about all of these Best Picture nominees. They are all different and they each cater to a different audience. There are no films on this list that you say to yourself, “Man, I just don’t get why this is here.” And no film represents that concept more than Get Out, a film that really caught a lot of people off guard with how well-made it was. It became one of the most talked about films of the year and it is absolutely deserving of a Best Picture nominee and, dare I say, a Best Picture Award?

I’m rooting for Get Out this Sunday at the Oscars, and let me tell you why.

1 – It came out in February!

In a day when we have very strong recency bias, Get Out has stayed with us for over a year now. It was released in February of 2017, and with each passing month, it became a stronger film for its themes, for its dark comedy, for its brevity in storytelling. And as the months went on and more and more films came out, it became evident that Get Out was beginning to prove itself to have staying power. The mere notion that we are just as hyped about Get Out now as we were when it first came is a testament to how well-constructed this movie is. Most of the films on the Best Picture list came out during award season. They have the aroma of award season. Get Out isn’t like that. It doesn’t “feel” like it was made for the awards. It feels like it was made for the people. And as such, it doesn’t cut corners. It doesn’t try to manipulate the audience in any way. It allows the audience to take in the story and form their own thoughts on it. It’s not a preachy film. It’s a movie that knows the story it’s telling and goes all in on the unique concept.

2 – Watch it once, get hooked. Watch it again, get educated.

When I watched the film the first time, I was terrified by the things on that screen. The subtlety of the themes, the dark humor that was boiling, the oddities of character that hovered over everything, I was pretty much blown away. It’s easy to just watch and film and move on. That’s what happens most of the time. But when I saw Get Out, my jaw dropped, and I was left wanting to learn more about the universe that Jordan Peele created. And finding out the attention to detail that went into weaving the themes throughout the narrative was quite eye-opening. This film wasn’t made haphhazardly. It was made with great care. So going back to watch it again, you begin to see those little details start to stand out so much more, and it’s like watching a completely different film. When there’s a story within the story, you know you’ve got something special. It’s unlike any of the other Best Picture nominees in that regard. And while they all tell their own unique story, Get Out does it in a way that keeps you coming back to figure out what you can learn. And you’ll learn a lot.

3 – It’s flat-out entertaining!

There’s a problem that I’ve seen with Best Picture nominees. Not all of them, but a lot of them, tend to be just…hard to watch. They aren’t easily accessible. A movie like Phantom Thread was riveting, engrossing, and challenging, but it’s not all that entertaining. Three Billboards was built on the shoulders of great performances, but it’s not something that everyone can get into. It’s a tough watch. Dunkirk is telling a complex story of hope in the middle of despair, but it just isn’t that intriguing with its lack of character growth. Lady Bird is highly enjoyable, but it’s eccentric and odd. Gary Oldman gives an incredible performance in Darkest Hour but he’s on the screen for 90% of the time. The Post may find itself to be too on-the-nose for our current times even though it has an all-star cast. The Shape of Water looks great, but it’s a quirky, R-rated story about a fish-man and a woman that you’ll either love or hate. And Call Me By Your Name, with its abundance of nominations, isn’t going to be for everyone.

Get Out, for my money, is incredibly thought-provoking about the landscape of covert racism and low-key relatability (“I would have voted for Obama for a third term”) while also being highly entertaining. It’s something that everyone can watch and gain something from. It can be a popcorn film if that’s what you want, but it can also be a deep journey into the human complexity.

All of the nominees in the Best Picture category feel like Best Picture nominees. Get Out feels like the one that shouldn’t be there, and yet, it’s the one that deserves to be there the most because of its bold approach to taking a lot of ideas and allowing each of them to breathe within the film. It never forces the viewer to see the film from a pushed point of view. Rather, each viewer is able to take something different and significant away from this near-masterpiece. That’s why I’m rooting for it to win Best Picture. It’s a head above the rest.

Oh, That’s Why The Cloverfield Paradox Went to Netflix

In what was originally looked at as a stroke of genius, we were all treated to trailer spots for The Cloverfield Paradox during the Super Bowl, and as the game went on, more information starting flowing, and it became apparent that we were going to treated to a new Cloverfield film immediately following the game.

This all happened really quickly.

The Cloverfield Paradox, at one point named God Particle, has been in the pipes for a while–many Cloverfield fans had been anticipating it, and we thought we were going to be getting a theatrical release in February. However, as the date got closer and closer, with no news, no trailer, nothing at all, it became clear that we weren’t getting this film in February, and so rumors started floating that it would get a release around April. But–still, no trailer?! Where’s the news for this film? Where’s the marketing? Where’s that Cloverfield charm that we all know and love so dearly?

We didn’t get any of that.

But then, the Super Bowl spots. And a lot of excitement. Hey, this is a big deal, and not just to fans of Cloverfield. To have a full, feature length film, one that was scheduled to be released in theaters, to now be released moments after the Super Bowl ends? That’s a trailblazing moment.

The problem with this, however, is that the movie needs to deliver. It needs to resonate with folks. For this movement of releasing big budget films straight to Netflix or other streaming platforms to gain true momentum, yes, the name matters, but the results matter even more.

And The Cloverfield Paradox is a complete sham on almost every front. It’s an embarrassing film, and it hurts all the more because this was supposed to continue in the lineage of Cloverfield films–to say, they are unique, they have an aura of charismatic frustration, and they rely on tense performances to maneuver the story along and continue to cultivate the enigma surrounding this universe.

But…the movie has to be good. The Cloverfield Paradox is awful. Perhaps even more frustrating is that the Cloverfield mythology feels completely squeezed in to this film. On its own, it’s already not very good–mainly due to a really flat and boring story that is convoluted enough to make your head spin, and some of the worst characters you’ll encounter. Sci-fi, to a large extent, should be campy and have an element of oddball fun. But spoiler–when a guy loses half his arm to the deep unknown, and doesn’t at all respond in any significant way but to crack a joke when he sees the hand slithering around on the ground–whatever fun and creepy element the movie is going for just loses its attempt to surge the story in a palpable direction that is satisfying.

10 Cloverfield Lane worked because A) the cast was legendarily good. John Goodman owned his role and was subsequently snubbed at the Oscars for it (I know, it was always a longshot, but hey, he deserved some award recognition there), and B) it actually felt like it was apart of the Cloverfield universe. We all saw the first Cloverfield and knew what the little details of 10 Cloverfield Lane were alluding to. We knew there was a greater presence at play within the overall context of the story. The ending notwithstanding, this was a film that was pretty dang good, and even if you take all of the Cloverfield stuff–it’s still a really, really good movie. Paradox plays off like a film that’s trying way too hard to conjoin itself with the great Cloverfield franchise, and it really leaves a bad taste to view this film as a continuation of what this franchise has done, and what it’s trying to do moving forward.

Let’s be real here: there’s an opportunity with this property. A real chance to do something good and unique and interesting. It’s clear at this point that we’re never going to get a true sequel to Cloverfield, and yes, that is definitely a punch to the gut. But if they’re going to keep trying to expand our surroundings and the scope of what is happening within this world, they’ve got to do a better job of injecting stories that at least make sense within the context of what we’ve gotten so far, without trying to manufacture the Cloverfield brand.

J.J. Abrams, you’ve got a fanbase here that is giving you the benefit of the doubt, but I believe patience is running thin. If Overlord doesn’t pan out, I just don’t know how this franchise can regain its footing.

Or you could, you know, just give us the true Cloverfield sequel we all want and stop playing with our emotions. That would fix this right up.

Oscar Nominations 2018 – Who I Hope Wins

Well, the nominations are out! We all woke up this morning and waited with anticipation to see if our favorite movies were given nods for their extreme awesomeness, and we now have the official list. It’s an exciting day and a wonderful reminder of how fun movies can be. If the Oscars are the Super Bowl for movies, the Oscar nominations are like Selection Sunday for the NCAA Tournament. So–here’s who I would like to see win, which, in some (or most) cases, will be different than who I think will ultimately win. Hopefuls are in blue.

Best Picture

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Actor in a Leading Role

Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kuluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

Best Actress in a Leading Role

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

Best Actor in a Supporting Role

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Best Actress in a Supporting Role

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

Best Directing

Dunkirk, Christopher Nolan
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
Phantom Thread, Paul Thomas Anderson
The Shape of Water, Guillermo del Toro

Best Animated Feature

The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

Best Adapted Screenplay

Call Me by Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound

Best Original Screenplay

The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Foreign Language Film

A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body and Soul (Hungary)
The Square (Sweden)

Best Documentary Feature

Abacus: Small Enough to Jail
Faces Places
Icarus
Last Man in Aleppo
Strong Island

Best Original Song

“Mighty River,” Mudbound
“Mystery of Love,” Call Me By Your Name
“Remember Me,” Coco
“Stand Up for Something,” Marshall
“This Is Me,” The Greatest Showman

Best Original Score

Dunkirk
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

Best Cinematography

Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

Film Editing

Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Costume Design

Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria & Abdul

Makeup and Hairstyling

Darkest Hour
Victoria & Abdul
Wonder

Production Design

Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water

Sound Editing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Sound Mixing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Visual Effects

Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

Best Documentary Short

Edith and Eddie
Heaven Is a Traffic Jam on the 405
Heroin
Life Skills
Traffic Stop

Best Animated Short

Dear Basketball
Garden Party
Lou
Negative Space
Revolting Rhymes

Best Live Action Short

DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child
Watu Wote/All of Us

Five Films to Look Forward to Until Infinity War

2018 is here, and we’ve got movies we’re looking forward to. Here are five I’m excited about up until Avengers: Infinity War releases.

1 – Ready Player One

2 – A Wrinkle in Time

3 – A Quiet Place

4 – Black Panther

5 – The New Mutants

Josh’s Top 25 Films of 2017

Josh’s Top 25 Films of 2017

  1. Baby Driver
  2. Star Wars: The Last Jedi
  3. Thor: Ragnarok
  4. Coco
  5. Wonder Woman
  6. Guardians of the Galaxy Vol. 2
  7. Spider-Man Homecoming
  8. Beauty and the Beast
  9. Get Out
  10. Split
  11. Darkest Hour
  12. Logan
  13. War for the Planet of the Apes
  14. Logan Lucky
  15. Wonder
  16. Lady Bird
  17. Wind River
  18. The Big Sick
  19. The Greatest Showman
  20. Cars 3
  21. King Arthur: Legend of the Sword
  22. Pirates of the Caribbean: Dead Men Tell No Tales
  23. IT
  24. Detroit
  25. Jumanji

Infinity War Trailer Thoughts

“There was an idea to bring together a group of remarkable people. To see if we could become something more. So, when they needed us, we could fight the battles that they never could.”

And with that, the Infinity War Official Trailer is now in front of us, and there are so many thoughts!

1 – How viable a threat is Thanos?

He comes out very blasé and bored, doesn’t he? Remember when he puts on the glove and says, “I’ll just do it myself.” Here’s a guy who is tired of the minions failing repeatedly, so he’s now taking matters into his own hands. But if his apathetic nature is any indication, he truly believes he’s above fighting the superhero weaklings. I like this! A villain who not only believes he’s better, but by all indications, is better at fighting a war of this magnitude than his opponents. MCU needs Thanos to be the de-facto Villain. He needs to pose the greatest threat to the Avengers that any being has ever offered.

2 – Captain America Returns

Steve Rogers has had some time off from the light. What has happened to him in between Civil War and Infinity War? Does he have demons he’s battling after all these years of serving and protecting? Whatever the reasons for this apparently darker look, it’s good to have you back, Cap.

3 – Our Frightened Heroes

Every facial expression details a pain and a struggle that is at the heart of this story. Destruction is looming. How does this affect how the Avengers interact with one another? How do they all come together to defeat Thanos?

4 – Time to Die

It’s been a longstanding critique; someone needs to die in these movies. Civil War wasn’t the right time. But Infinity War is the right time. The weight of the moment requires it. Watch the trailer and see how effortlessly Thanos punches Iron Man to the ground; or how easily Vision is manhandled. The question then becomes: Who? Who takes the fall here? There’s no doubt that everyone has an opinion on this—theories will be flying for the next few months. My hope is that if someone dies that it’ not spoiled beforehand.

5 – Massive Scale

This one is easy because when you look at the cast, there is no other option but to go as big as possible. Think of all the greatest battles you’ve been on film; this one needs to be bigger, loftier, more intense. There is no other option here. The MCU has been building to this for so long that it’s time for the payoff.

One more thought…

6 – Hey, Guardians! WELCOME!

Watch the trailer here!

Why I’m Hopeful for Justice League

My name is Josh, and I’m excited for Justice League.

I know it’s cool to dog the DCEU, and hey, for the most part they deserve it! But Wonder Woman was amazing, and it’s so good that it almost absolves the powers that be of the calamities of the previous entries in the universe. Not completely, but almost!

So, with the release of the next chapter in the world of DC, let me give you five reasons why I’m pumped to see Justice League.

1 – The Wonder Woman Effect
This one’s easy, and I already mentioned it above: Wonder Woman was amazing; it’s one of my favorite films of the year. It’s about as good of a superhero movie that has ever been made, and I left the film wanting to see more. So, that’s what we get in Justice League: more Wonder Woman! All due respect to the Dark Knight, but this is Princess Diana’s world, and everyone else is just living in it. My hope is that she has a major role in this film; Gal Gadot deserves it for pulling DC out of the ashes. The fact that we get to see Wonder Woman in two movies in one calendar year is reason enough to be hopeful.

2 – They’ve learned from their mistakes
Perhaps it’s just wishful thinking on my part, but I have to believe that Zach Snyder and company have learned from their past mistakes and have went to great lengths to make sure that Justice League is done right. Because, why else do it? I can’t imagine that they didn’t take the criticisms of the past to heart and work to try to improve on the product. Nobody working on a film wants that film to be received poorly. And the past films, other than Wonder Woman, have been received very poorly. So, the hopeful movie lover in me wants to believe that they wanted to reverse that trend in a major way with Justice League.

3 – Above all, these are still characters we love
We can’t forget that these characters have been around a long time. Over 50 years! With that comes the obvious: a huge opportunity to put out quality characters and good stories. Because the material is right there for the taking! The lore, the history, it’s already in place; it’s just a matter of putting it on the big screen.

Two more.

4 – It’s a team-up blockbuster in November
We already had one to begin the month in Thor: Ragnarok, but this one feels different because of the obvious reason that the MCU has been around a long time and the DCEU is still just starting to plant its feet; with the MCU, there’s not much of an unknown at this point. With DCEU, there’s still a shred of uncertainty; namely, how will the actors mesh, and how will their storyline in this film shape the future. Either way, Justice League is a blockbuster movie. I don’t know about you, but I’m getting the same feeling I get the days leading up to the first weekend of May, and that’s a great feeling to have in November.

5 – It’s happening, so might as well go in hopeful.
Look, this movie is happening. It’s here. So I’ve just decided to go in with a hopeful attitude. I don’t know, maybe I’m crazy. Maybe it’s the holiday season, or maybe it’s because the days are shorter, but I feel compelled to offer up some seasonal forgiveness. The past is in the past; let bygones be bygones. This is a fresh opportunity for the DCEU, and it’s a great chance to win over the skeptics out there. I’m hopeful that they’ve done right by the fans  and that we’ll leave the theater this weekend happy with the film that we’ve just seen.

And if we don’t, well, there’s always Wonder Woman.

Why I’m Not Hopeful For Justice League

Hello people! Jordan here, and I’ve come to talk about the latest release of the DCU, which hits theaters this Thursday! That’s right! You probably already know that Justice League is coming to a theater near you, and If you were around when me and Josh discussed Batman V Superman, you probably remember us harking on sir Zach Snyder’s direction of the film. Ironically, I didn’t hate the film as much as Josh did. I thought there were some entertaining aspects, such as the fight with doomsday at the end and Ben Affleck as Bruce Wayne. Those parts were fine. Many more were not.

One of my favorite Youtubers and filmmakers is a blogger named Casey Neistat. A few years back, he came out with a video called “Casey’s Guide To Filmmaking,” which he primarily discusses the different camera’s he uses and the ones he used to use during his decade long career on the internet. One of the side aspect of that video is a concept that I heard for the first time back went this was first uploaded, and that concept is that story is king. Casey said that no matter how great your gear is, if the story is awful, none of it matters. I’d like to branch off from this “Story Is King” concept by saying that no matter how great the characters were in their comic heyday, if you don’t tell a good story with them on screen, none of that matters. I think Zach Snyder needs to be reminded is this concept.

The writing of Zach Snyder’s last DCU film, Batman V Superman, was so all over the place that it failed to be coherent. One of the worst parts of this often random feeling movie is a dream, where Batman is in the middle of some desert fighting off a bunch of (Desert bandits? Sand soldiers? Tusken Raiders?) dudes in vests, and then Flash shows up and says…something? Then that scene ends and is never referenced again. It’s confusing, strange in comparison to the rest of the film, and most of al it does not serve the STORY that the film had been telling. Zach Snyder shot and OK’d this for the movie. The Martha scene is another awful resolution that solves the movies problems so easily that everything before it seemed over the top after that scene ended. “Your mom has the same name as my mom? Nah we cool.” The division between Batman and Superman was building up a climax conflict that should have been played out for much more of the film, but it wasn’t. It was also why the title Batman V Superman is the worst title for the film. Blown expectations ShNYYDEE!

These inconsistencies that feed into the overall story are specifically why I have a hunch that Justice League will be awful. Snyder’s just doesn’t have the directing chops to keeps his stories in this universe railed. That concerns me, and it’s also why removing him from the driver’s seat of the films was the right decision. You can’t have a guy at the helm piecing together whole movies when he couldn’t even do it for one.

Joss Whedon WILL fix the franchise, but first we have to get through the last remnants of Zach Snyder’s influence, and if Justice League’s not absolutely terrible, I will be genuinely surprised.  LOOK FOR OUR REVIEW OF THE FILM MONDAY!!

 

 

Episode 100 Funko Pop Giveaway Details

To celebrate 100 episodes of the Stale Popcorn Podcast, we’re going to be doing a Funko Pop Twitter Giveaway. The rules are  simple:

No purchase necessary to enter or win. Void where prohibited. Open only to legal residents of the contiguous 48 United States aged 18 or older.

Tweet requirements:

One (1) eligible person who follows @StalePopcornPod, likes, retweets, and responds to the giveaway tweet with their favorite movie of 2017 will be randomly selected from all eligible entries on November 18, 2017. Deadline to enter contest will be 11/18/17 at approximately 2:00PM CST and announced during our 101st episode, airing Monday, November 20th, 2017.

@StalePopcornPod will direct message the potential winner following the selection to provide information on redeeming the prize. Inability to contact @StalePopcornPod with the proper information within 48 hours will result in the prize being forfeited and awarded to an alternate possible winner.

Likes/Retweets/Comments must be made public on Twitter. No software-generated, robotic, scripted, programmed, or other automated online entries are permitted.

The winner will be decided at random using the tool www.competitionagency.com

All requirements for giveaway eligibility must be met, otherwise the participant is disqualified.

Legal stuff:

Limit one (1) entry per person. All entries discovered to have been submitted by the same individual using multiple accounts will be disqualified. Your entry must meet all of the criteria mentioned.

Ineligible responses include responses that fail to comply with Offical Rules, as well as those that may be construed as threatening, abusive, harassing, defamator, hateful, embarrassing to another person, deceptive, obscene, contains racial slurs, or is not within the spirit of the Giveaway, as determined by the owners of the Stale Popcorn Podcast.

Stale Popcorn Podcast is not responsibile and shall not be liable for any condition caused by events that may cause the Giveaway to be disrupted, or any damage to prize during shipping or delivery.

Stale Popcorn Podcast reserves the right in its sole discertion to cancel, terminate, modify, or suspend the Giveaway. Stale Popcorn Podcast reserves the right to disqualify any individual it finds to be tampering with the entry process or the operation of the Giveaway, to be acting in violation of the Official Rules, to be acting in violation of the terms of Twitter, or to be acting in a non-sportsmanlike or disruptive manner.